{"id":26001,"date":"2023-10-11T14:38:00","date_gmt":"2023-10-11T12:38:00","guid":{"rendered":"http:\/\/luxiders.com.w01cc729.kasserver.com\/?p=26001"},"modified":"2024-03-13T13:54:47","modified_gmt":"2024-03-13T12:54:47","slug":"greenery-exposicion-de-plantas-en-fotografia-contemporanea","status":"publish","type":"post","link":"https:\/\/luxiders.com\/es\/greenery-exposicion-de-plantas-en-fotografia-contemporanea\/","title":{"rendered":"Greenery: Una ingeniosa exposici\u00f3n de plantas en fotograf\u00eda contempor\u00e1nea"},"content":{"rendered":"
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La nueva exposici\u00f3n “Greenery: Plants in Contemporary Photography” es una oportunidad excepcional para sumergirse en la naturaleza dentro de los l\u00edmites de un museo. Su refrescante enfoque profundiza en la din\u00e1mica que entrelaza al ser humano con el ecosistema que le rodea. La exposici\u00f3n estar\u00e1 abierta entre el 12 de octubre de 2023 y el 22 de enero de 2024 en la Berlinische Galerie de Berl\u00edn.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Para recibir el Newsletter de Luxiders Magazine,\u00a0suscr\u00edbete aqu\u00ed<\/a><\/em><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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A trav\u00e9s de innovadoras aproximaciones a la fotograf\u00eda, la polifac\u00e9tica exposici\u00f3n “Greenery: Las plantas en la fotograf\u00eda contempor\u00e1nea” invita a los visitantes a responder a sus propias emociones, a agudizar su conciencia medioambiental y a percibir la armon\u00eda entre naturaleza y cultura. A trav\u00e9s de la perspectiva de seis artistas, la muestra examina la relaci\u00f3n, a menudo ambivalente, entre los seres humanos y las plantas a trav\u00e9s del ojo de la c\u00e1mara. Maravillosamente comisariada con obras actuales, en su mayor\u00eda procedentes de la Colecci\u00f3n de fotograf\u00eda del museo, el recorrido nos lleva a trav\u00e9s de las prodigiosas formas del mundo vegetal. Desde las altas cumbres hasta los densos manglares y los extra\u00f1os pistilos, los artistas nos gu\u00edan a trav\u00e9s de una experiencia que puede calmar los nervios, provocar reflexi\u00f3n o desencadenar emociones fuertes.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Mimi Cherono Ng\u2018ok, Untitled, 2020 \u00a9 Mimi Cherono Ng\u2018ok<\/figcaption><\/figure> <\/div>\n
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Ingar Krauss, No Title, from the series: HOLZ, Schwarzwald 2018 \u00a9 Ingar Krauss<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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SEIS PERSPECTIVAS ART\u00cdSTICAS SOBRE LA NATURALEZA\n<\/h2>\n

FALK HABERKORN<\/h3>\n

Falk Haberkorn juega con las contradicciones entre una reverencia rom\u00e1ntica hacia los bosques y los impactos medioambientales e intereses comerciales que los amenazan. El artista describe su t\u00e9cnica como un “interrogatorio visual” de cosas supuestamente “f\u00e1ciles de ver”. Su enigm\u00e1tica obra “Clearing” desencadena emociones y despierta recuerdos de cuentos de hadas y leyendas de las culturas occidentales.<\/p>\n

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MIMI CHERONO NG’OK<\/h3>\n

Mimi Cherono Ng’ok impregna de emociones personales sus im\u00e1genes de plantas, impresas como recortes en papel de arroz. Consciente de la mutabilidad de nuestro entorno, la artista tambi\u00e9n viaja a zonas de clima tropical. Toma fotograf\u00edas en la Rep\u00fablica Dominicana, en los m\u00e1rgenes de los asentamientos urbanos y en los jardines y parques de S\u00e3o Paulo y Nairobi.<\/p>\n

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SUSANNE KRIEMANN<\/a><\/h3>\n

Susanne Kriemann tiene un agudo sentido de la fragilidad de la vida en un planeta globalizado. Para su serie “Mngrv polymersday” (2020) tom\u00f3 fotograf\u00edas entre los manglares indonesios de Pulau Bintan, donde la contaminaci\u00f3n oce\u00e1nica ha provocado que los residuos de la civilizaci\u00f3n humana se enreden con el fr\u00e1gil ecosistema. La fusi\u00f3n involuntaria de flora y basura sint\u00e9tica, como redes de pesca y bolsas de pl\u00e1stico, es representada por esta artista como una unidad.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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\u00a9 Susanne Kriemann, Mngrv polymersday (oliveyellowrib_RAL1020), 2020 \u00a9 VG Bild-Kunst, Bonn 2023<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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Stefanie Seufert, 1 – 07, 2008 \u00a9 Stefanie Seufert<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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ANDRZEJ STEINBACH<\/a><\/h3>\n

Andrzej Steinbach cre\u00f3 su serie de veinte partes “Cenicero y esterilla de yoga” (2023) por invitaci\u00f3n de la Berlinische Galerie. El artista consult\u00f3 132 fotograf\u00edas hist\u00f3ricas de plantas, hongos y minerales del Archivo Folkwang-Auriga (1928-1932) y eligi\u00f3 las que le parecieron m\u00e1s interesantes como im\u00e1genes. A continuaci\u00f3n, emparej\u00f3 su selecci\u00f3n con fotograf\u00edas de bienes de consumo y objetos cotidianos. Invita al espectador a considerar la interacci\u00f3n entre las cosas hechas por la mano del hombre y las que crecen de forma natural.<\/p>\n

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STEFANIE SEUFERT<\/a><\/h3>\n

“\u00bfEscultura, objeto o planta viva?”, pregunta Stefanie Seufert, reduciendo el \u00e1rbol de hoja perenne a la forma pura con su fotograf\u00eda. La con\u00edfera, capturada en jardines delanteros y parques, es el motivo de su serie “01-1 – 1-10” (2006-10), que persigue la ambivalencia y la comparaci\u00f3n. \u00bfPuede interpretarse su serie como un reflejo de tipolog\u00edas documentales y puede una sola imagen significar algo m\u00e1s que ella misma? Stefanie Seufert explora las propiedades de la fotograf\u00eda, empezando por las im\u00e1genes que desaf\u00edan la clasificaci\u00f3n de g\u00e9nero.<\/p>\n

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INGAR KRAUSS<\/h3>\n

Ingar Krauss toma sus fotograf\u00edas en la Selva Negra, en Brandeburgo y en Noruega. En sus composiciones de apariencia armoniosa, rastrea las tensiones entre las intervenciones humanas en el bosque y la ind\u00f3mita naturaleza. Troncos apilados, ramas apoyadas en los \u00e1rboles, madera muerta esparcida y montones de ramitas son el resultado de una silvicultura tanto rentable como sostenible.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Susanne Kriemann, Mngrv polymersday (oliveyellowrib_RAL1020), 2020 \u00a9 VG Bild-Kunst, Bonn 2023<\/figcaption><\/figure> <\/div>\n
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Falk Haberkorn, Schonung #2, 2003\/2004 \u00a9 VG Bild-Kunst, Bonn 2023<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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A trav\u00e9s de una selecci\u00f3n de obras contempor\u00e1neas, “Greenery: Plants in contemporary photography” es una exploraci\u00f3n del mundo natural que nos invita a reflexionar.\u00a0 Adem\u00e1s, la muestra sirve de inspiraci\u00f3n para buscar otras exposiciones<\/a> dedicadas a promover la conciencia medioambiental y sostenibilidad.<\/p>\n

Las entradas al museo y m\u00e1s informaci\u00f3n pueden encontrarse en la p\u00e1gina web de la Berlinische Galerie<\/a>.<\/p>\n

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Highlight Image:
\n\u00a9 Falk Haberkorn, Schonung #2, 2003\/2004 \u00a9 VG Bild-Kunst, Bonn 2023<\/em><\/strong><\/p>\n

+ Words:
\n<\/em><\/strong>Francesco Witt
\n<\/em><\/strong>Luxiders Magazine<\/em><\/strong><\/p>\n

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