{"id":26542,"date":"2023-07-17T14:21:00","date_gmt":"2023-07-17T12:21:00","guid":{"rendered":"http:\/\/luxiders.com.w01cc729.kasserver.com\/?p=26542"},"modified":"2023-12-20T14:49:43","modified_gmt":"2023-12-20T13:49:43","slug":"black-venus-examinando-el-papel-de-la-mujer-negra-en-la-cultura","status":"publish","type":"post","link":"https:\/\/luxiders.com\/es\/black-venus-examinando-el-papel-de-la-mujer-negra-en-la-cultura\/","title":{"rendered":"Black Venus | Examinando el papel de la mujer negra en la cultura"},"content":{"rendered":"
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Somerset House est\u00e1 a punto de acoger la exposici\u00f3n Black Venus, que examina la percepci\u00f3n de la mujer negra en la cultura visual. Comisariada por Aindrea Emelife, la exposici\u00f3n podr\u00e1 visitarse a partir del 20 de julio.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Para recibir el Newsletter de Luxiders Magazine,\u00a0suscr\u00edbete aqu\u00ed<\/a><\/em><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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\u00bfC\u00f3mo refleja la historia la feminidad negra?<\/strong>\u00a0\u00bfC\u00f3mo retrata a las mujeres negras?<\/strong>\u00a0\u00bfD\u00f3nde se sit\u00faa a las mujeres negras en la cultura?<\/strong>\u00a0Y, sobre todo, \u00bfc\u00f3mo se las ve en la cultura visual? Todas estas preguntas van a ser respondidas pr\u00f3ximamente por un talentoso grupo de mujeres negras y artistas no binarias a trav\u00e9s de la exposici\u00f3n Black Venus. Comisariada por la historiadora del arte y comisaria nigeriano-brit\u00e1nica\u00a0Aindrea Emelife<\/strong>, la exposici\u00f3n presta atenci\u00f3n a las representaciones hist\u00f3ricas de la mujer y el cuerpo negro. Como Emelife es experta en historias coloniales y decoloniales de \u00c1frica, el archivo presenta un viaje en el tiempo a trav\u00e9s de la historia: En la Somerset House de Londres se expondr\u00e1n 40 obras contempor\u00e1neas, en su mayor\u00eda fotogr\u00e1ficas, fechadas entre 1793 y 1930. Aunque los diversos aspectos de la feminidad negra se situar\u00e1n all\u00ed en la existencia actual, tambi\u00e9n se llevar\u00e1n consigo los objetivos hist\u00f3ricos de la feminidad negra. Otredad, fetichizaci\u00f3n y reivindicaci\u00f3n de narrativas… Un viaje art\u00edstico para viajar a trav\u00e9s del tiempo y explorar las variaciones de la experiencia de la feminidad negra.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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DENTRO DE LA EXPOSICI\u00d3N\n<\/h2>\n
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La percepci\u00f3n es la clave de esta exposici\u00f3n. En ella se sit\u00faan tres arquetipos a la hora de ampliar el escaparate de las influencias de la percepci\u00f3n sobre la mujer negra: La Venus Caliente, la Venus Sable y la Jezabel. Las intrincadas experiencias de mujeres y artistas no binarias de distintas generaciones se presentan a trav\u00e9s de las ra\u00edces de estas tres denominaciones. La tem\u00e1tica se centra en la Venus Caliente. Rememorando a Sarah Baartman, que fue esclavizada por los colonos y exhibida como un “espect\u00e1culo de fen\u00f3menos”, la “Venus Caliente” saca de la c\u00e1mara las im\u00e1genes arquet\u00edpicas de las mujeres negras y retrata la feminidad y las im\u00e1genes negras codificadas de la \u00e9poca colonial. Renee Cox posa como la Venus hotentote en HOTT-EN-TOT (1994), canalizando una rebeli\u00f3n hacia las representaciones hist\u00f3ricas de Baartman y redirigiendo la mirada hacia el espectador. En Miss Thang (2009), los temas de la autorrealizaci\u00f3n y la iluminaci\u00f3n experimentan un renacimiento visible en torno a la reivindicaci\u00f3n del mundo exterior.<\/p>\n<\/div>\n

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Widline Cadet, On a Clear Day, I Thought I Saw Forever, 2020 \u00a9 Courtesy of the artist.<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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Carla Williams, Venus, 1992- 1994 \u00a9 Courtesy of the artist.<\/figcaption><\/figure> <\/div>\n
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Amber Pinkerton Photo Booth, Sabah, Girls Next Door, 2020, \u00a9 Courtesy the Artist and ALICE BLACK.<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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“M\u00e1s que limitarse a presentar un atractivo grupo de talentos contempor\u00e1neos, Black Venus define un legado. En un momento en que por fin se permite a las mujeres negras reivindicar su propia imagen, es importante saber c\u00f3mo hemos llegado a este punto”. – Aindrea Emelife, comisaria de la exposici\u00f3n.<\/em><\/span><\/h3>\n

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La exotizaci\u00f3n de las mujeres negras por parte de la cultura visual se representa en la Venus Sable, desarrollada por el grabado de Thomas Stothard, “The Voyage of the Sable Venus from Angola to the West Indies” (c. 1800). Una capa de la cultura cl\u00e1sica occidental se encuentra con la belleza negra y se muestra como la Venus de Sable que sale del mar en una media concha. La objetivaci\u00f3n sexual se sit\u00faa un paso por delante a trav\u00e9s de la atenci\u00f3n depredadora de Trit\u00f3n, el dios del mar, hacia la Venus de marta.<\/p>\n

La materializaci\u00f3n sexual tambi\u00e9n coexiste en Jezabel. La imagen de Josephine Baker, icono cultural e int\u00e9rprete, interpreta sat\u00edricamente las fantas\u00edas sexuales de los colonos occidentales hacia las mujeres negras y la estrecha percepci\u00f3n de la belleza negra.<\/p>\n

When and Where I Enter, the British Museum\u00a0<\/span><\/span><\/em>(2007) de Carrie Mae Weems, tambi\u00e9n llama la atenci\u00f3n sobre las figuras coloniales. Weems se sit\u00faa entre los turistas y las columnas del museo, y subraya la existencia generalizada y constante del colonialismo europeo: Aparece a la vez an\u00f3nima y destacada. La subjetividad de la historia, pues, se narra a trav\u00e9s del Photo Booth (2008) de Lorna Simpson. Las proyecciones psicol\u00f3gicas se buscan en el espectador a trav\u00e9s de los autorretratos del fotomat\u00f3n y los conceptos de tiempo y contexto se ensalzan mediante la dislocaci\u00f3n. Ayana V. Jackson expresa la historia de la esclavitud a trav\u00e9s de sus obras de arte Anarcha (2017) y Black Rice (2019) – la crueldad, la deshumanizaci\u00f3n, el control y el trabajo forzado se representan a trav\u00e9s de contraim\u00e1genes. Todas estas realidades se entrecruzan con la percepci\u00f3n de los cuerpos de las mujeres negras cuando son sometidos a trabajos forzados y ah\u00ed Jackson imagina metaf\u00f3ricamente la cultura visual colocando exclusivamente conceptos como vulnerabilidad y fragilidad a los cuerpos de las mujeres blancas cuando las mujeres negras son desafiadas.<\/span><\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Ayana V. Jackson, Anarcha, 2017 \u00a9 Courtesy of the Artist and Mariane Ibrahim.<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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“Al contemplar estas im\u00e1genes, que abarcan diferentes etapas de la historia, nos enfrentamos a un espejo de las concepciones pol\u00edticas y socioecon\u00f3micas de la mujer negra de la \u00e9poca y de c\u00f3mo las m\u00faltiples caras de la feminidad negra siguen cambiando en la conciencia p\u00fablica”. – Aindrea Emelife, comisaria de la exposici\u00f3n.<\/em><\/span><\/h3>\n

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TODO LO QUE DEBES SABER<\/span><\/h2>\n


\nDesde su inauguraci\u00f3n el 20 de julio de 2023 en Somerset House, Londres, la exposici\u00f3n “Black Venus” podr\u00e1 visitarse hasta el 24 de septiembre de 2023. Entre los artistas participantes se encuentran Sonia Boyce, Shawanda Corbett, Widline Cadet, Renee Cox, Delphine Diallo, Ayana V. Jackson, Zanele Muholi, Amber Pinkerton, Tabita Rezaire, Coreen Simpson, Lorna Simpson, Ming Smith, Maud Sulter, Kara Walker, Maxine Walker, Carrie Mae Weems, Alberta Whittle y Carla Williams. Los temas son tambi\u00e9n una reexaminaci\u00f3n del nuevo libro de la comisaria, Aindrea Emelife, Black Venus: Reclaiming the Gaze, que se publicar\u00e1 en la primavera de 2024. <\/span><\/span><\/p>\n

El programa de la exposici\u00f3n incluye actualmente dos eventos de gran inter\u00e9s. “Venus negra: Emelife in Conversation with Sharmadan Reid”<\/strong> <\/em>contar\u00e1 con la presencia de Shamadan Reid, fundadora y directora ejecutiva de The Stack World. The Stack World es una plataforma de conexi\u00f3n entre mujeres impulsadas por una misi\u00f3n, cuyo objetivo principal es garantizar la igualdad de g\u00e9nero tanto social como econ\u00f3mica. El acto tendr\u00e1 lugar en las Portico Rooms (South Wing, Somerset House), pero tambi\u00e9n podr\u00e1 retransmitirse online para los miembros de The Srack World el 21 de julio de 2023.<\/p>\n

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El segundo acto ser\u00e1 Black Venus x Upgrade Yourself Takeover<\/em><\/strong>, que se centrar\u00e1 en que los j\u00f3venes creativos establezcan contactos entre s\u00ed. El evento gratuito ofrecer\u00e1 acceso a la exposici\u00f3n reci\u00e9n inaugurada y a charlas interactivas, y al mismo tiempo allanar\u00e1 el camino para que los j\u00f3venes creativos progresen en sus carreras en la industria creativa.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n

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Delphine Diallo, Highness Blue (Hybrid 1), 2011 \u00a9 Courtesy of MTArt and the artist.<\/figcaption><\/figure> <\/div>\n
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Ming Smith, Me as Marilyn, 1991 \u00a9 Courtesy of the artist and Pippy Houldsworth Gallery, London.<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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Ming Smith, Instant Model, 1976 \u00a9 Courtesy of the artist and Pippy Houldsworth Gallery, London.<\/figcaption><\/figure> <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n
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+ Highlight Image:
\nMing Smith, Grace on Motor Cycle, 1978
\n\u00a9 Courtesy of the artist and Pippy Houldsworth Gallery, London.<\/em><\/strong><\/p>\n

Words:<\/em><\/strong>
\nTolga Rahmalaroglu<\/em><\/strong>
\nLuxiders Magazine<\/em><\/strong><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n ","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":26569,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[378,2733],"tags":[5112,5113,5114,5115,5116],"class_list":{"0":"post-26542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte-cultura","8":"category-lifestyle-es","9":"tag-art-es","10":"tag-black-venus-es","11":"tag-black-women-es","12":"tag-somerset-house-es","13":"tag-womanhood-es"},"acf":[],"yoast_head":"Black Venus | Examinando el papel de la mujer negra en la cultura<\/title>\n<meta name=\"description\" content=\"Somerset House est\u00e1 a punto de acoger la exposici\u00f3n Black Venus, que examina la percepci\u00f3n de la mujer negra en la cultura visual...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/luxiders.com\/es\/black-venus-examinando-el-papel-de-la-mujer-negra-en-la-cultura\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Black Venus | Examinando el papel de la mujer negra en la cultura\" \/>\n<meta property=\"og:description\" content=\"Somerset House est\u00e1 a punto de acoger la exposici\u00f3n Black Venus, que examina la percepci\u00f3n de la mujer negra en la cultura visual...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/luxiders.com\/es\/black-venus-examinando-el-papel-de-la-mujer-negra-en-la-cultura\/\" \/>\n<meta property=\"og:site_name\" content=\"Sustainable Fashion - 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