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Actress Flora Li Thiemann for Luxiders Magazine

Flora Li Thiemann | Inspiring People to Use What We Already Have

Flora Li Thiemann is an actress from Berlin. She loves to work on movies that approach important topics and move people emotionally. Her recent project, Gotteskinder, is really important to her. Moreover, she is interested in fashion, especially second-hand/vintage. She started her own little second-hand shop project to create and inspire people to use what we already have. Sustainability has always been a big topic for her. We interview her.

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INTERVIEW WITH Flora Li Thiemann

When did you first become aware of the sustainability and ethical issues within the film industry?

It began really early for me to grapple with environmental and social issues in our world, actually, as a child. As a private person in general. Since sustainability has always been an important topic for me, and I have been working in the film industry since I was 7 years old, of course, my view on it was always sensitive.

The film industry, in particular, has an immense impact on our environmental footprint since it involves a lot of processes across all the different departments from pre-production to the on-set work, which consume a lot of resources and contribute to carbon emissions overall. In the last few years, it has become a bigger topic to find greener alternatives for production, but there is still a lot of work to be done.

I think one of the main issues, not just in the film industry but in general, is that in our society, many environmental and social issues are normalized and ignored. Someone who is buying salami in the supermarket is probably not consciously thinking about it being an animal and supporting its suffering, how the salami was produced, and the impact it has on our climate. There needs to be more educational work and communication in general about these environmental and ethical topics in the first place to create awareness and responsibility in society instead of ignorance and avoidance. Change starts in the mind and in our feeling of responsibility and the will to do what is right. We should support that in society in the first place.

Actress Flora Li Thiemann for Luxiders Magazine
Oversized pleated dress from DZHUS, a transformative piece from the Ukrainian brand. The jewellery is from CARTIER’s Clash de Cartier collection, crafted using responsibly sourced materials.
Actress Flora Li Thiemann for Luxiders Magazine
CARTIER strives to work consciously, supporting a range of philanthropic efforts, including providing access to basic services, promoting women’s social and economic development, fostering sustainable livelihoods, and responding to emergencies, reflecting the brand’s broader commitment to social responsibility and community support.
Actress Flora Li Thiemann for Luxiders Magazine
CARTIER’s Clash de Cartier collection, a line that reflects the brand’s commitment to sustainable luxury, created using responsibly sourced materials and manufactured in facilities that implement energy-saving technologies, aligning with CARTIER’s dedication to minimising its ecological footprint.
Actress Flora Li Thiemann for Luxiders Magazine
The Boro Jacket by AVENIR is created from material swatches, using the historically sustainable Japanese Boro technique of reworking and repairing textiles through piecing, patching and stitching. The jewellery is a mixture from CHOPARD’s Happy Hearts collection, Ice Cube collection and CARTIER’s Clash de Cartier collection. Both CARTIER and CHOPARD are committed to promoting ethical and sustainable practices throughout their supply chains. CHOPARD uses 100% ethical gold in its creations, sourced from artisanal small-scale mines that follow responsible practices or from Responsible Jewellery Council (RJC)-certified refineries. CARTIER ensures its diamonds are conflict-free through the Kimberley Process Certification Scheme .
Actress Flora Li Thiemann for Luxiders Magazine
EME OM’s jewellery dress is the ultimate sustainable garment, made from 100% stainless steel, the most recyclable material in the world. The metal is durable and seamlessly fits into a circular model while enhancing the emotional connection between the wearer and the piece. The earrings are from the Écrou de Cartier collection, crafted using gold that meets CARTIER’s rigorous ethical standards, ensuring traceability and responsible sourcing from mine to market.

What specific environmental and social impacts of film and music production have caught your attention?

I think what caught my attention the most is the realization of what a challenge it can be to include greener alternatives in film production, given that the industry is really complex and involves a lot of people who need to find compromises and work as a team. Of course, the responsibility to plan more sustainably and include green alternatives lies with the production from the beginning. That is the most important first step and should serve as inspiration, motivation, and also a standard for the team.

But, moreover, the commitment to help our planet and the responsibility to do something for our climate comes from within. It requires the ability to work as a team and to have the right mindset about how we want to work on a project together. There needs to be the will and responsibility in every department and every person to really work more sustainably. Creating a working space where everyone feels they are treated fairly, fairly paid, open to collaboration, and able to find sustainable compromises can be a challenge.

The environmental impact of the film industry is immense, and there needs to be a change. The first step is to plan more sustainably from the pre-production stage, and the next, really important step, in my opinion, is to inspire, motivate, and bring together people who are open to working sustainably and really feel responsible for doing what they can in their work to help produce as green and as fair a production as possible. Even though setting sustainable guidelines from the beginning is important, it is not enough. Film production is a big team effort in which everyone is responsible for contributing and influencing. Therefore, it must be a priority for production teams to create a fair and safe working space in which people feel motivated to create something sustainable and good.

 

How do you think the behavior and practices within these industries contribute to these environmental and social issues?

Since there are so many different departments and processes in film production, it brings together a variety of environmental and social influences. From environmental pollution, overuse of resources, the transportation of so many people from different places, the energy use, and the use of numerous locations, which again involves more transportation, etc., it’s a complex issue. Since each department and person has an influence, it’s so important to plan carefully to produce as sustainably as possible and for everyone to feel responsible for it in their respective departments.

 

What actions can filmmakers, studios, and audiences take to support a more sustainable and ethical film industry?

Filmmakers, studios, and everyone working on a project can have a sustainable influence. As I mentioned before, the first and most important action lies in the planning and production phases, where guidelines and rules for sustainable production should be set. This requires a lot of detailed, logical planning. Additionally, every person on set can make a difference. To share some examples: being open to taking the train, even if it takes longer, to minimize transportation; carpooling when cars are necessary; using second-hand costumes; incorporating sustainable products in hair and makeup; minimizing energy consumption; and offering vegetarian/vegan catering. If you feel responsible enough, you will find a way to have a sustainable impact. I think audiences can support the films that try to produce sustainably by watching and promoting them.

 

What are you personally doing to change the trend?

I think it’s always good to talk to people, to inspire and motivate. Nowadays, I think a lot of people fear extremes. Everyone knows it’s in our hands to protect the climate, but many avoid feeling responsible because they aren’t ready to give up the comfortable privilege of living without “limitations” and feel the pressure and expectation to quit everything (flights, animal products, fast fashion, etc.) to make an impact.

While that would be ideal, it’s not the case. Everyone can have an impact on our climate and world. If you’re not ready to give up animal products completely, try cutting out meat and milk. If you need to take that flight, try taking the train next time. Challenge yourself to buy second-hand for a month. There are many ways you can have an influence. It’s not that hard. And it’s our responsibility to realize that.

 

 

CREDITS

Art Direction & Styling: BELVIS SOLER

Photography: JENS WITTWER

Starring: FLORA LI THIEMANN @ RIETZ MANAGEMENT

Make Up Artist: KARIM SATTAR

Hair Stylist: ISABEL MARIA SIMONETH

Styling Assistant: SASKIA FRY

 

 

 

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